Six Canadian writers I wish would hurry up and publish another book
January 8, 2014 § Leave a comment
I’m not including people who published a book in 2013, nor people who have one coming out in 2014 (post to follow…probably), but here’s a very short list of some of the Anglophone Canadians I want to read more of, and soon. Maybe some of them have been quietly beavering away and do in fact have a book coming out this year. So much the better. Whenever their books are launched, I’ll be first in the queue. I wish I could have included images but WordPress was not cooperating.
The Withdrawal Method, Malla’s debut short-story collection, is fantastic. Its stellar nature may have led me to be overly harsh when reviewing People Park, and I could well be in a minority of one in thinking it wasn’t his best work even though it was fascinating, ambitious and clever. Nonetheless, I look forward eagerly to a new Pasha Malla book. For a little taste, check out Malla’s fantastic review of Robert Walser in the Globe and Mail last year.
Another great short story writer. Williams’ Not Anyone’s Anything is, like The Withdrawal Method, the perfect blend of realism and grounded fantastic. Williams is also a poet and was shortlisted last year for the Griffin Prize.
Everyone seems to love Jessica Grant’s Come, Thou Tortoise, and I think its success is partly down to the fact that it can be a lot of different things to a lot of different people. I liked her short stories in Making Light of Tragedy even better. What will be next?
Malarkey was one of the big seriously literary novels of 2012 for me, with its strange but brilliant mixture of exuberance of tone and the grief and darkness it deals with. Since Malarkey took ten years, we might be waiting a while for the next book, but we know it will be excellent.
Heather Birrell’s second short-story collection, Mad Hope, was another great 2012 book. I didn’t intend this post to be about so many short-story writers, but it is a genre that Canada as a whole excels in. A bit more to the realist end of things than some of the others, Birrell can write stories that feel as though they actually thump you in the chest.
Simple Recipes came out when I was living in Vancouver and Thien was quite possibly the first young Canadian writer I had read. She’s written three books since then, the latter of which, Dogs at the Perimeter, was a powerful and lyrical novel about the aftermath of the Cambodian genocide. On top of her fiction writing, Thien is also a smart thinker.